The Battlestar Galactica Fan Club Co-President Shawn O'Donnell "BGR" (bgresurrection_1999@yahoo.com) recently spoke with Grace Lee Whitney, "Yeoman Janice Rand" from the original Star Trek series and movies. She discussed her work, her new book, and her thoughts regarding the future of Star Trek and BSG. The audio and transcript of the interview is featured below (Transcription by Joe Beaudoin).

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BGR: How did you get started in the acting field?
GLW: Actually, I started as a performer more than an
actor. I was a singer and a dancer at school; and I
was also a writer, I wrote some lyrics for songs and
stuff.
I performed them at school, and got on the stage and I
really loved it. So I've been
pursuing stage and performing all my life, and I did
theater a little theater while in school, and then
started signing [stage] and performed there. Then I
went to Chicago and became a model. Then, upon
becoming a model, I did, again, a Miss Chicago Contest
and had to sing and dance for that. And then went to
New York and
auditioned for George Abbot and got into a show called
"Top Banana" with Phil Silvers as an understudy and
that's when I started
acting. I got taught by Jack Albertson and, actually,
he was my first teacher.
He worked tirelessly and I went on a couple of times
for the leading lady, and I just
loved it. I migrated a little bit west and got into
film. My first film was "Some Like It Hot" with Marilyn
Monroe, and that one became the movie of the
century--the comedy of the century. So that was my
first film endeavor, and I was spoiled from
then on in.
I was introduced to Billy Wilder; Billy Wilder was the
director, he got many academy awards for "Some Like It
Hot", and then got several academy awards for "Irma
la Douce" also. So he helped my career. He called
several directors, and told
them that I was a good bet; and to hire me to do
different shows so I did about a hundred shows. But
ninety shows, I guess, before I got "Star Trek". And
then I got "Star Trek", before I got "Star Trek" I did
"Outer Limits", which was
also another classic, with Carroll O'Connor and Barry
Morse of "The Fugitive". And that was a wonderful
experience. I got with Gene Roddenberry in "The
Lieutenant", and Gene found me and put me into another
pilot that
he did called "Police
Story".
Not the one that got filmed, actually, but the "Police
Story" that he did, but never got filmed-I mean, never
picked up as a series. It was filmed, but DeForest
Kelley and I were in that together. It was a different
Doctor and a different Yeoman in "Star Trek", and when
the show got picked up by NBC, they wrote the doctor
out and put DeForest Kelley in and wrote the yeoman
out and put me in. And that's how we got
our roles in the show... and the rest is history, and
I've been doing it ever
since.
I did Voyager--
BGR: Right, the "Flashback" episode.
GLW: Yes, the "Flashback" episode, and we were trying
to get the Excelsior off the ground. I talked to Bob
Justman about it; and I talked to a lot of people
about it. It was a brainstorm of mine when we were
doing Voyager, and I said to George [Takei] that we
ought to do a mini-series of the Excelsior and we can
do it like every three months. Do one episode every
three months, for the fans and bring in a guest star
from one of the other shows. We thought that was a
great idea, and have been pushing for it ever since.
So, I don't know if it's ever going to go, but seems
very good to me.
BGR: Actually, I was going to ask you that question:
How'd you rate the chances of an Excelsior series,
even like a regular weekly series?
GLW: Well, I don't think we can do it weekly, because
I think it wouldn't hold up weekly. But it would hold
up monthly. You know like what they do with the
mini-series.
BGR: Like a tele-movie or something like that?
GLW: Yeah. And that way it would probably pick up a
lot of ratings, because I wouldn't be every week, it
would be every couple of months or every three months
or
something. I think they did that with other shows.
It would kind of be like a soap opera.
BGR: Exactly. Like an ongoing mini-series?
GLW: Like an ongoing saga of the Excelsior. The
Excelsior Saga, you know. And have that and just keep
going. But I don't know, Paramount is not open to
that. I think Paramount wants "Star Trek: 90210".
BGR: I heard that bandied around a little bit.
GLW: Or I call it "Melrose Space".
BGR: I think a lot of people feel that way.
GLW: Yeah. The really young kids, but I don't know if
that will get off the
ground or not. I have a feeling it will. And, if it
does, I'm very happy about that. I think the new blood
in Star Trek is always good.
BGR: Maybe even a mix of both [new and old blood]?
GLW: A mix of both-absolutely!
BGR: Which is kind of the best of both worlds.
GLW: Yeah, why couldn't they do that? They could do
that, and that would be just great.
BGR: I think that probably what bothers people quite a
bit, is that this also has
happened with Battlestar Galactica, they want to see
the original characters,
and they don't see where the problem lies because the
fans want that, and the studios have an impression
that all young faces are what sells. And that is not
necessarily true.
GLW: No it's not true. Not true at all.
BGR: Also, I was going to ask about your book. That's
of some interest there as well.
GLW: I'm trying to get a teleplay for the book.
Actually, I missed it by a few years, there was an era
where they did [stories of] women who were down and
out and came back; and versus where women who were
down and out and never did come back. Which they also
did, and then they got sick of that and stopped doing
it.
And that was right when my book came out. So I almost
have to wait.
You know, Oprah Winfrey was very interested in my
book, and I almost got on her show as "Book of the
Week". Then she decided to go
with the golfer; I don't know if you ever saw that
series she did on women down and
out, women who have and fallen and come back. She did
a series called "In The Spirit" and she did a whole
lot of shows about women who found God and
were resurrected, so-to-speak, from the gutter.
And one of mine was one of those she chose [after] one
of her readers said, "Read this book, it's very
powerful." So she interviewed me, but she picked a
young
golfer, a pro golfer as the "Book of the Week". And
did her interview instead of mine, and I was just
devastated-because I came very close to being the pick
of the week! And if I had, my goodness! You know, I'm
sure I would've had a movie done already-with Heather
Locklear. I've already sent the book to Heather
Locklear, and I wanted her to play me. I called Bill
Shatner and asked him, and he said, "Well, she can't
shine your shoes, but she'll be good." Which I thought
was a very nice compliment coming from Bill.
So that's kind of where we are, and it still may be
picked up. I wanted Leonard
[Nimoy] to direct, but Leonard is just kind of getting
to the point where he doesn't
want to work that hard.
You know people say to me, "What do you do with your
time?" And I tell them,
"Well, I'm kind of semi-retired. I do Star Trek
conventions, but other than
that, I just built my own house. I'm living very
quietly, and very relaxing[ly] with
my horses and animals, and nature. I'm kind of just
retired. So it's a wonderful life I have, but I would
go back to work if the Excelsior had a chance. Or, I
hear that there's going to be some sort of remake of
"Star Trek: The Motion Picture". So I'm kind of hoping
to do a cameo in that They've already interviewed a
couple of stars.
BGR: Like just a totally different cast?
GLW: No, it's just going to be re-cut and
redistributed. And that would be really nice for me to
do a cameo, you know because I've come so far since
1979. I got sober in 1981, so my whole sobriety, which
is almost 20 years, has been eventful. I have done a
lot of work, and that would be really good
for me to do a cameo on this side
of my life, as opposed to the other side. The other
side is very traumatic.
So, I don't know, there's a lot of things in the work.
I'm just open to everything. I'm all over the
universe; I have invitations to go to every country
there is. So it's a very exciting life.
And George Takei is also doing the same thing.
George is running all over the universe also; we do a
lot of conventions together.
BGR: There's actually one coming up very soon,
September in New York.
GLW: Yeah, in New York and I've been with Tim Russ for
the last two
conventions.
He's doing a lot of Trek conventions too.
So it's a very nice life, and hopefully Star Trek will
keep going and I'll get someone to write a script for
my book, and I'll be able to submit it and see what
happens. The timing may not be exactly right. So you
have to kind of go with the flow.
BGR: So, you see yourself going on Oprah at
some point?
GLW: Definitely. They have kept it open. The producer
told my publisher that they still have me in the file.
They haven't thrown me out, by any means. That could
be
really good. So, we'll see, I'm just kind of like
living a day at a time, and doing my thing; and doing
conventions and
speaking. I speak a lot all over at
hospitals and where people are incarcerated for
alcoholism and drug addiction. So I'm very busy.
I'm into the mainstream of life. I see a lot of stars
whenever I go. I was just in FantastiCon in LA.
William Campbell [who played Koloth and Trelane in
TOS] was there. I think Richard [Hatch] was there, no,
I guess Anne [Lockart] was there; Jerry Doyle was
there from Babylon 5.
And Bruce Boxleitner was there-we didn't have many
Star Trek people there for sure.
BGR: That's unusual. Usually there are a few it seems
at each show.
GLW: The Star Trek people are getting upset with the
cons; they don't pay them anything. And they just
don't want to do it for nothing anymore.
It's not like they don't do it for nothing, you know,
they get big bucks for this sort of thing, but this
guy doesn't want to pay. So this particular one isn't
going to get them.
The Grand Slam in April and that had everybody,
because they give us the speaker fee. And so you're
able to get the stars to come out.
BGR: You obviously had to recoup losses or at least
make the trip worth their while.
GLW: My gosh, yes! Nobody is going to get on a stage
and speak for an hour and
sign autographs for nothing. The guys promoting them
are making good money, they
charge money to get in.
BGR: Of course, you have people flying in from far
away.
GLW: Well nobody, not in Grand Slam, as everybody
lives in LA.
BGR: That was close. But you do have situations, of
course, where you might have the DragonCon in Atlanta
where people actually have to fly in.
GLW: It cost big bucks just to fly everybody in from
LA. That was a big con.
That cost a lot of money!
BGR: Well, at least, too, they cover the airline fees,
and hotel, and that type of thing.
GLW: That just costs a lot of money.
How did the promoter [Ed Kramer] do at DragonCon?
BGR: I really don't know. I presume pretty well, it's
pretty much a success every year.
GLW: Oh, good. I'll do it again next year. I hope I
can com next year, because I sure did well.
BGR: It's a good show, it seems like it's really a hit
with the fans.
Definitely brings a lot of business into it.
GLW: Yeah, and I got a chance to see Adam West
[original Batman/Bruce Wayne] and my other friend,
Yvonne Craig.
BGR: This year Bill Mumy was there, Angela
Cartwright, Andreas Katsulas was there, so just a lot
of different faces. They have
some basic--I shouldn't say basic
people, but people that come there every year, then
like every year change out a
few people just to spice it up a little bit.
GLW: Well, it's great to see everybody from all the
different shows. Gosh, it's the
only time I ever meet the actors! I see them on the
screen, but I never actually get to smooch with them.
That's what's fun. I just love it. I love going to see
all the actors and going around to the tables. June
Lockhart and I do a lot of shows together, and it's
just fun, lots of fun and Annie too. I see Richard
many times, so it's good. I just think it's a great
way to live.
BGR: This might be of interest to people as well, now
your addictions in the past and
the coming to terms with that definitely had an impact
in your life, as far as the way you look at things
now.
GLW: Yeah, in your addiction your very focused on
self, on medicating and getting away from the pain, or
running from problems or not taking responsibility for
your life; or this man did me wrong or this woman did
me wrong.
You're very focused on that and I was very focused on
my career, trying to get ahead and, which of course,
would've been fine if I hadn't had the compulsive
behavior. I had a lot of compulsive behavior, which
was, I don't know, it's just something you do against
your own will--you can't really control yourself.
Once you become addicted, it's like if you've ever
known cigarette smokers
[that's what it's like]. I am totally baffled by
people who smoke themselves to
death. It's just the craziest thing, if you're going
to do something booze yourself to death or use
drugs--but cigarettes that seems like the stupidest
thing to do.
It's just crazy.
I just didn't realize that alcohol had such a hold on
my life, I was a party
girl and I loved parties. And Hollywood thrived on it
of course; we all know that Hollywood is probably the
biggest party town in the world. We call it
Hollyweird.
A lot of people out there [are into parties], and it
is the place to go if you want to get into the fast
lane. So, I had to come out of the fast lane, which
was a big change in my life and go to a higher power
and be compliant in order to get sober. The last 19
years has been going through that process a day at a
time; not putting my career first, using my career as
a privilege, it's a privilege to be an actor and a
privilege to be part of Star Trek.
But that's not who I am. Who I am is a child of God,
who is seeking to do His
will and help other people; and not be so centered on
myself. And if I can get out
of myself, off of myself, and into other people and
help in the community, and
help other alcoholics and other women, battered
omen, women that are addicted to
drugs--there's a lot of crack cocaine up here and
amphetamines--[and] try to help
these people find their own way.
It counts. Everyday it heals me just a
little more.
And I've seen what it looks like and I don't want to
go back there.
Therefore, I stay sober one more day because it is a
progressive illness.
Once you cross the line, the disease progresses even
though you don't drink,
or you don't use prescription drugs--you know, we have
a lot of women that are
addicted to prescription drugs. So we have to find a
way to get off of those things, and face life on
life's terms. In other words, you have to deal with
life in reality, and [that's] very hard to do for an
actor.
BGR: Because you, obviously, spend so much time
acting.
GLW: It's all fantasy. I have such a vivid
imagination that it just about kills me on a daily
basis. And I have a vivid
imagination because I'm an actor! So I have
to try and find the difference between reality and
fantasy, and turn one off and turn the other on, and
vice versa.
And before, I couldn't do that. I was totally into
fantasy most of the time, most of my life! I was
always dreaming in the other world. It was an
interesting journey, very interesting.
I'm glad that I had to go through it, because it's
given me an outlet for my book, for being able to work
well into my sixties. I don't have to sit home and
retire because I have something to say based on my own
experience.
And that allows me to go out and keep my speaking
engagements going. I go out and
speak in hospitals and schools. I bring the books in
and I sign them. I go to
bookstores--Barnes & Noble and Borders-- and they set
up a speaking time for me; I speak from 7 to 8 at night
and then I sign books, and fool around and talk
o people, have coffee. It's really a lot
of fun, because the Star Trek people are all over.
And the fans have really supported me!
BGR: I think they'd definitely like to see your
character come back.
GLW: They would. Janice Rand has always been a
favorite character, and she
always will be. They [the Powers That Be] never killed
her off or did anything.
They may have zapped me out of the universe for a few
hours or a few years, but
they brought me back.
I wasn't killed off, so I can surface anywhere.
Especially as Commander Rand on the Excelsior, which
would be a perfect place for me.
We're hoping that maybe, even if we get a movie of the
week, [it would be] very nice [to do] one episode. A
one hour movie.
BGR: That's like the way the Columbo thing goes. Maybe
do it even quarterly.
GLW: Wouldn't that be great!?
BGR: It would be! It would be very good. I think the
fans would really enjoy that.
GLW: I think they would love it! And we can get some
of the original crew in there before they all die.
Before we all die, you know.
BGR: Unfortunately, DeForest Kelley is gone.
GLW: I know.
BGR: But James Doohan...
GLW: Well, Jimmy's getting ready. He's way up there.
He's 80 years old. I just went to his birthday party.
BGR: How's he doing?
GLW: He's doing great. He's had a baby.
BGR: That's what I hear.
GLW: Which is kind of encouraging!
BGR: Yeah, I guess so! If he can do that at 80 it is.
GLW: My goodness! That's pretty good for the engineer!
BGR: Actually, most of the cast is there. It's kind of
unfortunate that John Colicos, who was actually in
Richard's trailer, [Battletstar Galactica: The 2nd
Coming], hoping and wanting to reprise his role there
[as Lord Baltar], passed away earlier this year. Which
is really, really bad.
GLW: That's a shame.
BGR: He was, I believe, 72.
GLW: That's not very old.
BGR: He suffered I a series of heart
attacks.
And it is too bad, as obviously you want to see those
people back in those roles again.
GLW: Sure! Of course!
BGR: Which is kind of the point. I think people are so
interested in these revivals, that they don't want to
go 20-30 years and not see these people back. And when
finally studios come around to it then, you know,
people DO pass away. If you're talking 30 years then
there's a difference, and I think that's the reason
why there's
such an urgency with a lot of people. At least with
the fans to get these things done, whether it's for
Star Trek or Battlestar Galactica or whatever.
GLW: Yeah, I hear ya! And I talk to the fans when I go
to these conventions, [so] I know what you're saying.
They REALLY want the original people.
BGR: That's what I keep getting.
GLW: Because that's what they want! And I don't know
why the studios are so stubborn. I think maybe because
the studios are run, a lot of times, by such young
people. And
they just look at us as being "too old for the job".
You know a lot of execs are very young.
BGR: I guess you may know better than I do.
GLW: They're not old like they used to be pictured,
with gray hair and glasses sitting there. They're
young kids. It's kind of amazing!
BGR: So you think that, maybe, their perspective on it
is that "young sells"?
GLW: Yes, I do.
BGR: Which is not really true, you know.
GLW: Well, I think that they'd like to keep it that
way!
BGR: They may think this, but that's not necessarily
true. Maybe in some certain
circumstances, but not with these shows. I think,
again, that the original characters
sell. But I don't know what it'll take to get that
across to them.
GLW: There's definite interest in the original casts
of these shows.
BGR: Yes, oh yes. All over the place.
GLW: Even Batman and stuff like that?
BGR: I think probably more in the sci-fi genre. Like
there was a clamoring to see Bill Mumy in the Lost in
Space movie, and that didn't happen. And a lot of
people
didn't like that. They saw the fact that they had a
few people getting cameos and
they would have rather seen more of the original cast
and more substantive roles.
And that just didn't happen, but I do see that a
lot--and even hear it. As,
obviously, the websites I participate in, I get a lot
of e-mail from people saying, "You know, we want to
see the original characters and we want to see it the
right way."
That theme is always played and, you know, time after
time when we begin polling
and that type of thing. When we talk about the
alternative in doing, like with
Battlestar, doing the show with the original cast,
with maybe some new
faces--as opposed to a whole new cast-- overwhelmingly
the support goes to the first notion. They don't want
to see other people taking those parts over. They see
the characters as the person who played them.
GLW: Wasn't there a remake of Battlestar Galactica?
BGR: Yep. The 1980 version, but, again, that went on
air without the original
cast.
The only original cast members were Lorne Greene and
Herb Jefferson. But their
roles were kind of pushed to the side and they
concentrated on the new characters
who were, well, not the old ones, and that's what the
people wanted. I think
it went on for thirteen episodes and it was just
awful.
GLW: Oh that's a shame!
BGR: That's the whole thing, again that's an example.
GLW: At least when they redid us--The Next
Generation--it became a hit.
BGR: Right, and of course, you had
completely separate characters, too. It
wasn't--
GLW: --It wasn't the same characters, right.
BGR: Right. And, in a way, this was almost-
-
GLW: --Almost the same characters, I see with
different faces.
BGR: Yeah, it wasn't--
GLW: Oh, the same names?
BGR: Not the same names, but they might as well have
recast the characters. They reused the same character
types. So they tried to get away with it a little bit
differently that way. Yeah, two separate things, and
that's what people want [the original characters]. The
original cast and themes.
They really do. It's entertainment, but
I think people get well wound up about it mainly
because they grew up watching this. So it's part of
their childhood memories, I know it is for me. I grew
up watching
these shows and I'm very attached to them because of
that.
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